When Italian cinematographer and Sony Ambassador Paolo Sodi was asked if he would like to test Sony’s new BURANO camera, he chose to shoot a range of different animals in very different settings. He particularly wanted to discover how the camera would respond to light. From this came the concept of his film Soul of Light, an exploration of wildlife and light.
The film follows four different types of animals in three countries. Turtles and wild horses In Italy, flamingos in France and deer in the UK. Paolo found BURANO particularly well suited to documentary style shooting as it was light and comfortable to use. “You can use it handheld or by shoulder,” he says, “all without a rig.”
When he was filming the flamingos in flight, he operated the camera handheld, taking advantage of the camera’s built in IBIS image stabilisation to easily get steady shots. The LCD screen and high-quality magnifier loupe making it easy to check composition and focus in all types of light.
While BURANO can take PL Mount lenses, for his film Paolo chose to take advantage of the camera’s locking E-Mount and E-Mount lenses. He used the Sony 600mm f4 and 400mm f2.8 G-Master lenses with an additional 2x extender to shoot the distant animals.
When filming the deer in London’s Richmond Park, there was often a lot of tall grass passing through the foreground of shots, but despite this the autofocus worked well. Even at 1200mm the camera remained focussed on the deer. The AF’s responsiveness and transition speed, as well as the size and position of the focus zones, can all be adjusted to suit a wide range of shooting scenarios.
“I was able to work with the ND filter, with the autofocus, shooting at 4K, in slow-mo at 3200 ISO,” Paolo says, “and it all worked very, very well.”
In Italy, while filming turtles at sunset, Paolo chose to take advantage of the camera’s Dual ISO function to shoot at its upper base ISO of 3200 and deliberately stress test the built-in Variable ND filter system. He wanted to understand how the camera would deal with extreme hard light of the setting sun while shooting at 4K at 120fps.
When I touch the LCD screen to enable the touch tracking auto focus it works fantastically.
BURANO has 2 base ISO’s, 800 ISO and 3200 ISO. This allow you to choose the optimum sensitivity for the scene you are shooting with barely any change in image quality. The upper base ISO allowed Paolo to capture an amazing level of detail with nothing other than moonlight lighting some of his shots.
“A lot of the time I worked with the animals silhouetted in front of the camera,” Paolo says. “I remember shooting with moonlight at 3200 ISO and I can still see the textures of the silhouetted bird.”
Whatever the lighting conditions, Paolo felt that BURANO performed exceptionally well. It captured colours and textures in even the deepest shadows or brightest highlights, in particular, capturing the subtle pinks of the flamingos in a very beautiful way. Compared to other cameras that he’s used, he found the colour to have a greater richness and depth.
Paolo shot his film using the 16-bit X-OCN-LT codec, he feels that the combination of X-OCN and Sony’s VPG400 CFExpress cards is ideal for this camera, giving post production all the flexibility of a 16-bit raw file while using readily available high speed media. The files contain a vast amount of information, while remaining surprisingly compact. He used a mix of different scan modes and frame rates from 8.6K at 24fps to 4K at 120fps.
The image quality is fantastic, just fantastic.