A revealing look inside the FX on Hulu miniseries, Mrs. America with Jessica and Chris explaining how a mix of lenses, the VENICE full frame sensor and LUTs helped bring a 1970s look to the show. Jessica reveals how she shot two conflicted sides of the show, using a pastel, bright kind of environment to portray one group and a much warmer sun, more contrast environment for the other. The cinematographers also explain how a film-like look with highlights, shadows and film grain were achieved on VENICE.
Every film or show, whatever I do, I always test several cameras. When put up on the screen with my colourist Tom we just knew that the Sony was up there. The skin tones were more defined.
Jessica Lee Gagné