Side-view of PXW-FX9 full-frame camcorder with Production Technology Alliance logo



Discover FX9, Sony’s full-frame 6K sensor camera with Fast Hybrid AF, Dual Base ISO and S-Cinetone™ colour science.

Ver.2.0 firmware available now. FX9 Roadmap updated with Ver.2.1 and 3.0.

4K, Exmor R, XAVC, MPEG HD422, Wi-Fi and Alpha Mount System logos

FX9 Limited Time Promotions

0% Finance, FX9 + ATOMOS and Pro Audio Upgrade
FX9 with professional audio kit, FX9 three-quarter view and FX9 with ATOMOS.
Loading video...
Loading video...

Full-frame creativity

Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette.

Loading video...

Capturing the impossible

Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF.*

*Ver2.0 is required.

Loading video...

Shoot in comfort, expand your horizons

FX9 revolutionises full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension unit further expands the operational possibilities of the PXW-FX9. Ver.2.0 firmware adds HLG, User 3D LUTs and more with yet more advanced features still to come.

*As of September 2019

6K Full-Frame “Exmor R” sensor for stunning picture quality

The back-illuminated full-frame 6K CMOS sensor uses Sony’s Exmor R technology for improved sensitivity and reduced noise. When recording at DCI 4K*, Ultra HD resolutions the ability to oversample and capture at 6K, combined with powerful image processing, ensures that subtle details and textures beyond those that can be captured by a conventional 4K sensor are retained while at the same time noise is reduced.

Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area, providing a wider angle of view, making it easier to gain a shallower depth of field. You can also shoot with Super 35mm lenses without compromise, capturing at 4K in super 35mm with all the benefits of this advanced imaging sensor.

*DCI 4K (4096 x 2160 at 17:9 recording) requires Ver.2.0 or higher firmware.

Discover full-frame technology >

Front view of FX9 camcorder showing 6K sensor
Sensor diagram showing 4K Super 35 mode

4K Super 35

Super35 17:9 mode with PXW-FS7M2.

Sensor diagram showing 6K full-frame mode

6K full-frame

Full-frame 17:9 mode with PXW-FX9.

'Exmor' CMOS sensor technical diagram showing front illuminated sensor

“Exmor” CMOS sensor

Conventional front-illuminated sensor as used in FS7 II

'Exmor R' CMOS sensor technical diagram showing back-illumination

“Exmor R” CMOS sensor

Back illuminated sensor as used in FX9

Landscape representing 15+ stops dynamic range

Phenomenal 15+ stops dynamic range for limitless expression

FX9 offers an exceptional 15+ stops of dynamic range – allowing for unprecedented creative freedom in colour grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colourists can find colour and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene.

* RAW recording requires Ver.2.0 or higher firmware, XDCA-FX9 and external recorder.

Dual Base ISO for stunning images in any light

Digital imaging sensors perform best at their base ISO as no unnecessary gain (voltage) is added to the sensors output. While a typical camera has a single base ISO, carefully chosen to provide the optimum settings for a wide range of shooting scenarios, the FX9’s dual ISO function offers far greater flexibility. Its low base sensitivity of ISO 800* is similar to most other digital cinema cameras offering an excellent balance between dynamic range and sensitivity for most normal types of production. The FX9 with its secondary High Base ISO of 4000* excels in low light conditions without adding extra gain. Low light scenes can be shot using High Base and 4000 ISO with near identical image quality to Low Base and 800 ISO. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next generation responsiveness to changing conditions.

*ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode.

Discover Dual Base ISO & full-frame >

Diagrams showing Single Base ISO and Dual Base ISO in operation with Production Shooting Range.

Cinematic colour science with S-Cinetone™

S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colours, alluring facial tones and a softer tonal look – developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post production thanks to the high performance full-frame image sensor.

Download S-Cinetone White Paper

Loading video...
Model reclining with split dynamic range to show effect of a LUT

Accelerate your workflow with User 3D Luts and HLG*

User Created 3D LUTs make it easy to customise FX9’s look to your preferences. It is possible to import LUTs files from an SD card and store up to 16 files on the FX9’s internal memory and switch between them as needed. This is particularly useful for shooting in S-Log3, allowing you to preview on camera whatever custom look you create.

FX9 can record HDR using S-Log3 or Hybrid Log Gamma (HLG)*.
•S-Log3 is optimized for premium applications, capturing the maximum dynamic range from a sensor and providing ultimate creative freedom when colour grading
•HLG* delivers content quickly without additional colour grading making it an ideal choice for day-to-day shooting, viewing and editing workflows

*Ver.2.0 or higher firmware required

Selectable frame rates in both full-frame & Super 35

 Choose your desired frame-rate from 1fps up to 180fps* for impressive quick and slow motion footage. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximizes full HD image quality using full-frame 6K scan mode or Super 35 4K scan mode with advanced oversampling technology.

Super 35 2K imager scan mode prioritizes frame rates, so image quality may be reduced depending on the shooting environment. In this instance, below settings are recommended.

  • Cine EI mode: Set EI gain lower and exposure level higher instead
  • Custom/SDR mode: Choose the gamma category setting of Original (S-Cinetone) or STD (STD1 to 6)

· *Up to 120fps with Ver1.0. Full-HD 180fps requires Ver.2.0 or higher firmware. 

· **In full-frame scanning mode: selectable at 1–30fps/in super 35 scanning mode: selectable at 1–60fps. Quality priority setting is recommended if desired framerate is available.

Imager scan mode diagram showing varying resolutions and frame-rates for FX9

Internal Recording

Imager Scan Mode

Recording Resolution



















Super 35






Super 35




Super 35



Requires Ver.2.0 firmware or higher.

Requires Ver.2.0 firmware or higher. Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal)

Loading video...

16-bit RAW capability*

16-bit RAW offers a phenomenal increase in post-production creative freedom to fully exploit FX9’s exceptional 15+ stops of dynamic range. FX9 supports export of 16-bit RAW at either 4K or 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection to compatible external RAW recorders.**

*RAW output will be enabled with Ver.2.0 or higher firmware.

**Compatible recorders to be announced by 3rd party.

RAW output using XDCA-FX9

Imager Scan Mode

Output Resolution












Super 35




Super 35




✓² ³


Super 35



Scanning area is cropped around 83% of full-frame and 122% larger than S35. (diagonal)
Limited to 10-bit during 100, 120fps high frame rate shooting.
This requires Ver.2.1 firmware or higher.

Catch the action with enhanced Fast Hybrid AF

Effortlessly track fast moving subjects with pin-sharp focus, even when using wide lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognises and locks on to human faces.

The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects.

Loading video...
Loading video...

Eye AF & Focus Touch Control*

FX9 is the world’s first professional camcorder with Sony’s world-leading eye tracking technology**.  High speed, high precision image processing maintains a pin-sharp focus. During an interview or portraiture shoot, you can rely upon Eye AF to capture your subject’s most subtle expressions while you concentrate on the interview and framing. 

Focus Touch Control allows you to precisely set the camera’s specific focus area by simply touching the LCD viewfinder. It’s fast and intuitive – ensuring your full creative control of FX9’s powerful AF technology.

* Eye AF and LCD Viewfinder Touch operation require Ver.2.0 or higher firmware.

** As of Apr 2020. 

FX9 auto focus graphical user interface

Customisable AF settings

FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project.

7-level AF transition speeds from Fast – switching between subjects as quickly as possible – to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.

5-level AF subject shift sensitivity ranges from Locked-on – ignoring other moving subjects in the frame – to Responsive that switches focus from one subject to another – ideal for snapping between race cars as they speed by.

Autofocus with Sony E-mount lenses

Experience smooth, responsive autofocus with every Sony E-mount lens, including Sony’s Cinema Lens FE C 16-35mm T3.1 G with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses.
View FX9 compatible lenses from Sony >

*Image shows E-mount lens line-up as of September 2019.

Sony E-mount lens range as of September 2019
Loading video...

World’s first electronic variable ND filter for full-frame sensor*

Realise even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter – a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher density settings with a slower shutter speed for breathtaking artistic effects.

*As of September 2019

Proven ergonomics & accessory compatibility

FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories including U-series batteries, chargers, E-mount lenses, plus arms and lens adapters.*

The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style – handheld, at waist level or shoulder mounted. The smart grip also features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap.

To withstand the rigors of real-world shooting, FX9 has a robust magnesium chassis which is almost one third lighter than aluminum equivalent, while offering high impact resistance. FX9’s buttons, dials and other parts are sealed to prevent dust and water spray from entering for even greater operational reliability.**

*BP-U30 and XDCA-FS7 are not compatible with the FX9.
**Dust and water resistance does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.

Camera woman with FX9 on tripod
Loading video...

Quick menu control with touch operation*

The FX9’s LCD Viewfinder has a quick access control menu for commonly accessed features. With a single touch, you can press to change key settings including:

  • Codec, Imager Scan mode, Picture Size and frequency.
  • Base ISO/Sensitivity
  • Shooting Mode
  • Audio Levels

Introduced with V2 firmware, the FX9’s quick access control menu uses a similar UI to Sony’s acclaimed VENICE digital cinematography camera.

*Requires Ver.2.0 or higher firmware.

Diagram showing workflow for advanced image stabilisation metadata

Stable, shake-free handheld footage

Advanced image stabilisation information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilisation, metadata combining FX9’s built-in gyro and lens information allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature requires Sony E-mount lens and allows for far faster processing than conventional NLE stabilisation workflows**.

*Catalyst Browse/Catalyst Prepare Version 2019.2 or higher is required.

**Resolution and angle of view reduced compared to native footage. Lens optical image stabilisation should be set to ‘OFF’ during shooting.

Side view of SELP28135G lens

Beautifully matched shooting partners

Optimised for professional cinematography applications, the light, compact, SELP28135G  powered zoom lens is an ideal complement for the full frame imaging possibilities of the FX9.

  • Circular aperture with full-frame image circle format
  • Motorised servo zoom for smooth, precise zoom moves
  • Independent three rings for focus, zoom and iris with smooth, silent drive

You have the choice of purchasing the FX9 on its own (PXW-FX9) or with SELP28135G lens (PXW-FX9K).

Side view of FX9 with XDCA-FX9 accessory

Adds shoulder-style operation, advanced networking

Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimises camera weight distribution and ergonomics for comfortable shoulder-style shooting – ideal for ENG (Electronic News Gathering) and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and Timecode for multi-camera shoots.

Close-up of FX9 4-channel audio input

4-channel audio input and recording

FX9 offers superb audio capabilities with independent control dials for each channel. In applications such as interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for voice of interviewer and interviewee. In addition, using the optional XLR-K3M, XLR-K2M or XLR-K1M XLR adapter – with two extra XLR inputs – allows even more devices to be connected.

Angled view of FX9 with MI-Shoe being used for UWP-D wireless audio

Multi-Interface (MI) Shoe

Sony’s flexible Multi-Interface (MI) Shoe provides power, signal connections and coordinated on/off switching with compatible Sony accessories. For example, you can connect and control Sony UWP-D wireless microphone systems (optional).

Diagram showing FX9 with Content Browser Mobile control via mobile phone

Networked for high mobility

The FX9 features internal 5GHz* and 2.4GHz Wi-Fi capability as standard. Just switch on and log onto your preferred network to enable a host of advanced wireless production features:

  • Content Browser Mobile™** allows the PXW-FX9 to be controlled remotely from a smartphone or tablet computer via a Wi-Fi connection. Adjust the exposure level, zoom, Record/Stop and more via your mobile device – it’s ideal for single operator shoots. One-touch authentication is also possible with smartphones offering NFC connectivity
  • FTP Transfer allows content files to be sent over the internet for remote storage on an FTP server even while shooting. In case of signal interruption, the system will automatically resume as soon as connection restored
  • Trimming allows you to set start and end points in a clip, eliminating time-wasting transfers of unneeded content
  • C3 Portal*** can upload high-res and proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. Production teams can even start logging clips while shooting is still going on, saving even more valuable time when a story’s breaking
  • Wired LAN port with optional XDCA-FX9 allows connection of the FX9 to the Internet with a standard Ethernet cable, allowing files to be streamed or transferred by FTP
  • Dual Link Cellular is enabled with optional XDCA-FX9 and uses two cellular networks in combination to provide an even more reliable network connection. FX9 is compatible with standard USB cellular dongles from most networks. (Please check for most appropriate service provider for your region. Standard network fees will apply.)
  • High quality Sony QoS Streaming to Network RX Station (optional) and C3 Portal*** by Sony allows images to be streamed live for viewing at a remote location

* 5GHz support dependent on country/regional regulation. Only PXW-FX9V/9VK support 5GHz.

** Content Browser Mobile™ application can be downloaded from Google Play Store or App Store. Wi-Fi operation cannot be guaranteed with all smartphones and tablet computers.

*** Requires firmware V3 or higher

Diagram showing FX9 with XDCAM air interface with laptop computer

PrimeSupport for PXW-FX9

  • 3 Years PrimeSupport at no extra charge when you register

  • Enhanced support with PrimeSupport Elite for PXW-FX9
  • Side-view of PXW-FX9 with PrimeSupport Elite and PrimeSupport Pro logos

    FX9 Quick Reference Guide - V2

    Written by Alister Chapman and covering everything from camera set-up to slow-motion frame rates and S-Cinetone tips. Interactive PDF format ensures easy access on your smartphone when on-location. Now updated for V2 firmware with Touch Screen Operation, Eye AF, V2 Scan Modes and more.

    Register for free download >

    FX9 Quick Reference Guide V2 shown on mobile phone


    Important Note: FX9 is available from Sony as four SKUs. PXW-FX9V (without lens) and PXW-FX9VK (with lens) support both 5Ghz and 2.4Ghz Wi-Fi. PXW-FX9T (without lens) and PXW-FX9TK (with lens) support 2.4GHz Wi-Fi. Availability is determined by country/regional regulations.
    Approx 2.0 kg (body only)
    Approx. 4.8 kg (with Viewfinder, Eyepiece, Grip Remote Control, BP-U35 battery, SELP28135G LENS, an XQD memory card, Handle, MIC holder)
    Dimensions (W x H x D)
    146 x 142.5 x 229 mm (body without protrusions)
    Power Requirements
    DC 19.5V
    Power Consumption
    Approx. 35.2 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
    Operating Temperature
    0°C to 40°C
    32°F to 104°F
    Storage Temperature
    -20°C to +60°C
    -4°F to +140°F
    Battery Operating Time
    Approx. 54min. with BP-U35 battery
    (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)

    Approx. 108min. with BP-U70 battery
    (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
    Recording Format (Video)
    [XAVC Intra]
    XAVC-I DCI4K 59.94p mode: VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
    XAVC-I DCI4K 50p mode: VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264
    XAVC-I DCI4K 29.97p mode: VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264
    XAVC-I DCI4K 25p mode: VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264
    XAVC-I DCI4K 24p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264
    XAVC-I DCI4K 23.98p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264
    XAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
    XAVC-I QFHD 50p mode:VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264
    XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264
    XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264
    XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264
    XAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264
    XAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264
    XAVC-I HD 59.94i/29.97p mode:CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264
    XAVC-I HD 50i/25p mode:CBG, MAX bit rate 112Mbps, MPEG-4 AVC/H.264
    XAVC-I HD 23.98p mode:CBG, MAX bit rate 89Mbps, MPEG-4 AVC/H.264
    Recording Format (Video)
    [XAVC Long]
    XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC
    XAVC-L QFHD 59.94p/50p mode:VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC
    XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC
    XAVC-L HD 59.94i/29.97p/50i/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC
    XAVC-L HD 59.94i/50i mode:VBR, MAX bit rate 25 Mbps, MPEG-4 H.264/AVC
    Recording Format (Video)
    [MPEG-2 Long GOP]
    MPEG2 HD422 mode:CBR, MAX bit rate 50 Mbps, MPEG-2 422P@HL
    Recording Format (Audio)
    LPCM 24 bits, 48 kHz, 4 channels
    Recording Frame Rate
    [XAVC Intra]
    XAVC-I DCI4K mode: 4096 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P, 24P
    XAVC-I QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
    XAVC-I HD mode: 1920 x 1080/59.94P, 59.94i, 50P, 50i, 29.97P, 23.98P, 25P
    [XAVC Long]
    XAVC-L QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
    XAVC-L HD 50 mode: 1920 x 1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
    XAVC-L HD 35 mode:1920 x 1080/59.94P, 50P, 59.94i, 50i, 29.97P, 23.98P, 25P
    XAVC-L HD 25 mode:1920 x 1080/59.94i, 50i
    [MPEG-2 Long GOP]
    MPEG HD422 mode: 1920 x 1080/59.94i, 50i, 29.97P, 23.98P, 25P
    Recording/Playback Time
    [XAVC Intra]
    XAVC-I DCI4K/QFHD 59.94p
    When using QD-G128A (128 GB): Approx. 22 minutes
    When using QD-G64A (64 GB): Approx. 10 minutes
    When using QD-G128A (128 GB): Approx. 26 minutes
    When using QD-G64A (64 GB): Approx. 13 minutes
    XAVC-I DCI4K/QFHD 29.97p
    When using QD-G128A (128 GB): Approx. 43 minutes
    When using QD-G64A (64 GB): Approx. 21 Minutes
    When using QD-G128A (128 GB): Approx. 52 minutes
    When using QD-G64A (64 GB): Approx. 25 Minutes
    XAVC-I DCI4K 24p
    When using QD-G128A (128 GB): Approx. 54 minutes
    When using QD-G64A (64 GB): Approx. 26 Minutes
    XAVC-I DCI4K/QFHD 23.98p
    When using QD-G128A (128 GB): Approx. 54 minutes
    When using QD-G64A (64 GB): Approx. 26 Minutes
    XAVC-I HD 59.94p
    When using QD-G128A (128 GB): Approx. 57 minutes
    When using QD-G64A (64 GB): Approx. 28 Minutes
    XAVC-I HD 50p
    When using QD-G128A (128 GB): Approx. 57 minutes
    When using QD-G64A (64 GB): Approx. 27 Minutes
    XAVC-I HD 59.94i/29.97p
    When using QD-G128A (128 GB): Approx. 105 minutes
    When using QD-G64A (64 GB): Approx. 53 Minutes
    XAVC-I HD 50i/25p
    When using QD-G128A (128 GB): Approx. 105 minutes
    When using QD-G64A (64 GB): Approx. 53 Minutes
    XAVC-I HD 23.98p
    When using QD-G128A (128 GB): Approx. 130 minutes
    When using QD-G64A (64 GB): Approx. 65 Minutes
    Recording/Playback Time
    [XAVC Long]
    XAVC-L QFHD 29.97p/25p/23.98p
    When using QD-G128A (128 GB): Approx. 125 minutes
    When using QD-G64A (64 GB): Approx. 62 Minutes
    XAVC-L QFHD 59.94p/50p
    When using QD-G128A (128 GB): Approx. 86 minutes
    When using QD-G64A (64 GB): Approx. 42 Minutes
    XAVC-L HD 50 59.94i/29.97p/50i/25p/23.98p/59.94p/50p
    When using QD-G128A (128 GB): Approx. 225 minutes
    When using QD-G64A (64 GB): Approx. 110 Minutes
    XAVC-L HD 35 59.94i/29.97p/50i/25p/23.98p/59.94p/50p
    When using QD-G128A (128 GB): Approx. 305 minutes
    When using QD-G64A (64 GB): Approx. 150 Minutes
    XAVC-L HD 25 59.94i/50i
    When using QD-G128A (128 GB): Approx. 410 minutes
    When using QD-G64A (64 GB) Approx. 200 Minutes
    Recording/Playback Time
    [MPEG-2 Long GOP]
    MPEG HD422 59.94i, 50i, 29.97P, 23.98P, 25P
    When using QD-G128A (128 GB): Approx. 220 minutes
    When using QD-G64A (64 GB): Approx. 105 Minutes
    Recording Format (Proxy Audio)
    XAVC Proxy: AAC-LC, 128 kbps, 2 channels
    Recording Format (Proxy Video)
    XAVC Proxy: AVC/H.264 Main Profile 4:2:0 Long GOP, VBR
    1920 x 1080, 9Mbps
    1280 x 720, 9Mbps
    1280 x 720, 6Mbps
    640 x 360, 3Mbps
    Lens Mount
    Camera Section
    Imaging Device (Type)
    35 mm full-frame, single-chip CMOS image sensor
    Imaging Device (Pixel Count)
    20.5 M pixels (Total)
    Built-in Optical Filters
    Clear, linear variable ND (1/4ND to 1/128ND)
    ISO Sensitivity
    ISO 800/4000 (Cine EI mode, D55 Light source)
    S/N Ratio
    57 dB (Y) (typical)
    Shutter Speed
    64F to 1/8000 sec
    Slow and Quick Motion Function
    FF 6K mode:
    4096 x 2160
    1 to 30 frames (29.97/25/24/23.98)
    3840 x 2160, 1920 x 1080
    1 to 30 frames (29.97/25/23.98)

    FFc 5K, S35 4K mode:
    4096 x 2160
    1 to 60 frames (59.94p, 50p, 29.97/25/24/23.98)
    3840 x 2160, 1920 x 1080
    1 to 60 frames (59.94p, 50p, 29.97/25/23.98)
    FF 2K mode:
    1920 x 1080
    1 to 60, 100, 120, 150, 180 frames (59.94p, 29.97/23.98)
    1 to 60, 100, 120, 150 frames (50p, 25)

    FF 2K mode:
    1920 x 1080
    1 to 60, 100, 120 frames (59.94p, 50p, 29.97/25/23.98)

    S35 2K mode:
    1920 x 1080
    1 to 60, 100, 120 frames (59.94p, 50p, 29.97/25/23.98)
    White Balance
    Preset, Memory A, Memory B (2000K-15000K)/ATW
    -3 to 27dB (every 1dB), AGC
    Gamma Curve
    SDR mode: S-Cinetone, STD1, STD2, STD3, STD4, STD5, STD6, HG1, HG2, HG3, HG4, HG7, HG8, S-Log3
    HDR mode: HLG (Natural / Live)
    15+ stop
    Genlock Input/REF Output
    BNC, Genlock IN/REF OUT Switchable
    TC Input/TC Output
    BNC, TC IN/OUT Switchable
    Audio Input
    XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
    Mic Reference: -30 to -80 dBu"
    SDI Output
    SDI OUT1: BNC, 12G-SDI, 3G-SDI (Level A/B), HD-SDI
    SDI OUT2: BNC, 3G-SDI (Level A/B), HD-SDI
    USB device, micro-B (x1)
    Headphone Output
    Stereo mini jack (x1) -16 dBu 16 Ω
    Speaker Output
    DC Input
    DC jack
    Stereo mini-minijack (Φ2.5 mm)
    HDMI Output
    Type A (x1)
    8.8 cm (3.5 type) Approx. 2.76 M dots
    Built-in Microphone
    Built-in Microphone
    Omni-directional monoral electret condenser microphone
    XQD Card slot (x2)
    SD/MS Card slot (x1) for saving configuration data
    SD card slot also can be used for proxy video recording
    Supported Format
    IEEE 802.11 a/b/g/n/ac
    Frequency Band
    2.4 GHz bandwidth
    5.2/5.3/5.6/5.8 GHz bandwidth*
    *Depending on country / regional regulation and only on PXW-FX9V and PXW-FX9VK.
    NFC Forum Type 3 Tag compliant
    Supplied Accessories
    Supplied Accessories
    Body Cap (1)
    Viewfinder (1)
    Eyepiece (1)
    Grip Remote Control (1)
    IS1293 power cord (2) **
    AC Adapter
    BC-U1A battery charger (1)
    BP-U35 battery pack (1)
    Power cord (2)
    USB cable (1)
    Operating Guide (2)
    CD-ROM "Manuales for Solid-State Memory Camcorder" (1)

    ** For India only. Not supplied in other countries