The FS7 II dramatically improves the experience of shooting with Sony’s ultimate documentary camcorder and is simply one of the world’s most versatile Super 35mm camcorders. A host of enhancements, from an all-new lens mount to world-leading Electronic Auto Variable ND system and enhanced ergonomics, transform the possibilities of what you can do.
Shoot and move. Handheld, shoulder-mount or suspended from a gimbal. The FS7 II delivers the spectacular imagery you expect from Sony.
Shotgun microphone sold separately.
E-mount offers unsurpassed compatibility with both Sony and third-party lenses. And for FS7 II there’s an all-new lever lock design. Simply put the lens in place and rotate the collar until it locks in place. A lens release lever provides added security. The process of switching lens can be simplified to save time. And of course, the E-mount can take cinema lenses and SLR lenses with a third-party adapter, as well as Sony’s E-mount and A-mount lenses. Whatever your lens requirements, FS7 II has you covered.
SELP18110G powered zoom lens delivers optimum performance in Super 35/APS-C movie-making applications, starting at 18-mm wide-angle and extending through an impressive 6.1 x zoom range with a constant F4 maximum aperture. G Lens optical performance suitable for 4K throughout the zoom range.
You also have the choice of purchasing the FS7 II on its own (PXW-FS7M2) or with SELP18110G lens (PXW-FS7M2K).
High Frame Rate shots can turn everyday actions into slow-motion ballet, a visual feast of elegant movement. The FS7 II delivers a maximum of 180 frames per second (fps) continuous shooting in Full HD. If your project plays at the cinematic 24fps, you get beautiful 7.5x Super Slow Motion. There’s no sacrifice in bit depth and no “windowing” of the sensor. So there’s no crop factor and no loss in angle of view. The camera also performs Slow and Quick (S&Q) motion from 1 to 180fps in 1fps increments. So, you can alter the narrative by selectively speeding up or slowing down the action.
Long-form projects shine with Sony’s XAVC™ L (Long GOP) recording system. Record luxurious QFHD at 59.94 p / 50 p at a maximum bit rate of 150 Mbps. Or take advantage of the superior grayscale rendition of 10-bit High Definition, plus the uncompromised detail of 4:2:2 color – all at budget-friendly data rates of 50, 35 or even 25 Mbps in HD mode. You can also record on-board 4K (4096 x 2160) at cinema standard 24 p, 59.94 p, 50 p, 29.97 p, 23.98 p or 25 p. The camera captures different color spaces, including the wide ITU-R BT.2020 for Ultra-High Definition.
Other formats include XAVC I (Intra) 4K at 600 Mbps, QFHD (3840 x 2160) and Full HD (1920 x 1080), plus the well-accepted MPEG HD 422, Apple ProRes 422 (with XDCA-FS7 extension unit, sold separately), and even outboard RAW recording (with XDCA-FS7 and outboard recorder, sold separately).
Long-form programs need media that’s both reliable and affordable. As specified by the CompactFlash Association, XQDTM memory cards score big on both accounts. Reliability comes from in-camera recovery. You get very low cost-per-minute compared to CFastTM cards. Sony’s G-Series XQD card extends these benefits with ‘EB Stream’ technology for a blistering 400 Mbps write-speed and 440 Mbps read-speed. Using our 256 GB G-Series card, you can record approximately 45 minutes of 4K footage at 60 P or 3.5 hours at 30 P in 2K. And when it’s finally time to swap out cards, it’s now even easier – on the FS7 II, the card protrudes by a more easily pinchable 8 mm.
You asked and we delivered: an all-new E-mount lever lock design. Sony’s world-leading variable ND Filter technology integrated for smooth fine-tuning of depth-of-field. A host of ergonomic refinements to make FS7 II even more comfortable to shoot with. The uncompromising image quality of Sony’s high-performance Super 35-mm sensor for 4K and HD capture, including superior 4K/QFHD 60 p / 50 p with support for the BT.2020 color space, plus fantastic slow-motion pictures up to 180fps. Just think what the possibilities are…
14 stops of exposure latitude deliver powerful grayscale rendition without crushing shadow detail or blowing out highlight detail.
ISO 2000 sensitivity enables you to shoot well after sunset, without tons of lighting and grip.
4K resolution: The sensor incorporates 11.6 million total pixels and 8.8 million effective pixels to deliver full 4K resolution. Even if you’re delivering in HD, your recordings will capture detail and image texture that HD sensors cannot see.
Sony Exmor® CMOS design makes for extremely fast readout, contributing to frame rates of up to 180fps and minimized image skew.
To keep the PXW-FS7 II small, light and easily hand-holdable, Sony engineers reserved some functions for an outboard module, the XDCA-FS7 extension unit, sold separately. The unit adds significant capabilities:
The FS7 is renowned for taking handheld shooting to another level. Placed against your chest or shoulder, comfortably steadied by your right hand. The built-in shoulder pad makes for stable shoulder-style shooting, while the curved back sits comfortably against your chest. Now with the FS7 II we’ve refined these elements to be even more flexible to you.
The result of thousands of hours of user research, Sony’s Smart Grip is a highly adjustable control center located on a pivoting, telescoping arm. The smart grip includes zoom, start/stop and a range of assign controls, including a dial you can use to adjust Iris. So you can operate the camera without taking your hand off the grip. The shape is comfortable hour after hour. And the angle of the grip can be adjusted at the press of a button.
Everyone loved the flexibility of the FS7’s ergonomic arm mount, but we’ve gone further with the FS7 II’s new mounting positions – so you can hold it even closer to your body – and made it easily adjustable without tools. So it’s even easier to find the perfect set-up to suit your physique and your shooting position.
The mounting arm for the FS7 II’s viewfinder is now even more flexible with independent clamps easily adjusted by hand even while still on your shoulder. The viewfinder itself can be perfectly offset for right-eye or left-eye viewing with a huge range of fore-aft adjustment. Just turn a single knob to set the finder’s position. For even greater flexibility, Sony supplies a 15-mm rod mount. The viewfinder takes the form of an LCD monitor and a viewfinder extension box that easily tilts up and out of the way when you want direct viewing. The viewfinder extension box is now even easier to attach, while the LCD hood can be bundled while not in use. Peaking, zebra and contrast controls enable easy adjustment of focus, contrast and exposure.
Sony designed the FS7 II to the same exacting standards as the FS7 for real-world shooting. The frame is magnesium, for high rigidity and light weight. Buttons, dials and other parts are sealed to prevent dust and water spray from entering. Cooling is an urgent requirement in a high-speed 4K camera. That’s why Sony engineers developed special heat pipes that whisk heat away from the electronics and into a remote heat sink. An air duct cools the heat sink while isolating the electrical components from exposure to dust and water spray.
Requires that all ports and covers are firmly closed. Dustproof certifies to IEC 60529 IPX5 standard.
The FS7 II takes advantage of Sony’s flexible Multi-Interface (MI) Shoe, which provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light*.
*Accessories sold separately. HVL-LBPC light does not draw power from the FS7 II.
The FS7 II supports four-channel audio input and, in applications such as interview, this function enables the simultaneous use of an external microphone for recording ambient sounds, the built-in microphone for voice memos by the operator, and two optional UWP Series wireless microphones for the voice of interviewer and interviewee. In addition, using an optional XLR adapter, XLR-K2M or XLR-K1M – with two extra XLR inputs – even more devices can be connected. And with the FS7 II, the control cover now folds down flat to lessen risk of accidental damage.