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Sony HDC-3500R system camera with lens mounted on a tripod, shown alongside the R Series logo on a black background.

HDC-3500R

2/3-type 4K 3-CMOS sensor portable system camera

Refined 4K for live productions

Expand your creative horizons with the HDC-3500R, offering smooth handling and precision image technologies for simultaneous HDR and SDR production. The HDC-3500R also features Extended Range Capture*¹ and Selectable Video Sensitivity*¹ for flexibility in challenging lighting conditions. This 2/3‑type 4K 3‑CMOS image sensor portable system camera delivers direct 4K output*² with outstanding image quality in addition to HD 4x HFR for flexible and dynamic live production workflows. It also supports wireless operation, with a choice of optional outside panels for added versatility.

*1 Availability: planned via software update in December 2026 or later.
*2 Options on both the camera and the connected CCU are required.

Band performing live on stage.

Enhanced Imaging

Rear view of a HDC series system camera capturing a presenter in a green screen studio environment.

Efficient Data Transmission

Hand adjusting controls on the rear panel of a Sony HDC-R series camera.

Improved Operability

Enhanced Imaging

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High-Precision Imaging with 2/3-type 3-CMOS Sensor with Global Shutter

The high-performance 2/3-type 4K 3-CMOS image sensor at the heart of the HDC-3500R delivers extremely high sensitivity. Sony’s class-leading Global Shutter Technology eliminates rolling shutter distortion and the risk of banding under artificial light, allowing the HDC-3500R to capture clear 4K images even with fast-moving subjects. 

Multiple 2/3-type 3-CMOS image sensor
Side-by-side comparison of the same band performance, illustrating differences in dynamic range.

Extended Range Capture for Enhanced Detail

Extended Range Capture reduces highlight clipping, delivering richer detail and improved expression in high-contrast scenes such as music concerts and outdoor sports.

Band performing under low stage lighting, captured with excellent image clarity to highlight high sensitivity performance.

High S/N Performance with Selectable Video Sensitivity

An improved signal-to-noise performance of -64 dB ensures clean, high-quality images even in low-light conditions. The Selectable Video Sensitivity additionally enables switching between multiple predefined sensitivity profiles while maintaining low noise and consistent image quality even as lighting conditions change.

HD 4x HFR for High-Quality Slow Motion

When used with HDCU-3000 Series Camera Control Units, the HDC-3500R supports HD 4x*.

For live sports, HD HFR delivers smooth slow motion that reveals every critical moment.

* Optional software or hardware is required.

Gymnast performing parallel bars, captured with exceptional clarity to highlight high frame rate imaging.
Color gamut diagram comparing coverage across multiple color spaces.

Wide Colour Space for HDR, Cinematic, and Multi-Format Production

The HDC-3500R supports wide colour spaces including ITU-R BT.2020, S-Gamut3, and S-Gamut3.Cine, as well as SG3 (LIVE GRADE) and SG3.Cine (LIVE GRADE), for HDR and cinematic workflows.

Operator checking footage with a custom LUT applied on a monitor.

3D LUT Function for Consistent Colour

When used with the HDCU-3500R/3500 and the optional HKCU-LUT35, the HDC-3500R provides 3D LUT functionality to streamline colour management across the camera system*. LUTs can be recalled with scene files. 

* Optional software or hardware is required.

Efficient Data Transmission

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Video Trunk connection diagram illustrating signal flow between broadcast system components.

Video Trunk for Simplified Connectivity and Seamless System Integration

Simplify system design with reduced cabling and flexible integration of HD HDR or dual interlaced signals, for efficient and future‑ready production workflows.

[1] Camera1 Video Signal [2] Camera2 Video Signal [3] Camera3 Video Signal [4] Camera1 [5] Camera2 [6] Camera3 [7] CCU [8] Monitor1 [9] Monitor2 [10] Monitor3

Multiple Prompter Line for Flexible, Low-Latency Multi-Signal Return

A Multiple Prompter Line provides dedicated SDI return paths between the camera and CCU for teleprompter feeds, floor‑monitor signals, or AR/virtual‑studio graphics over existing cabling. It supports flexible configurations, ensuring stable, low‑latency delivery for live and studio productions.

[1] Prompter [2] Monitor [3] Prompter Video [4] Rendered CG Video [5] System Camera [6] CCU [7] Prompt Generator [8] CG Render

Multi Prompter Line connection diagram illustrating signal flow between broadcast system components.
Network Trunk connection diagram illustrating signal flow between broadcast system components.

Network Trunk for High-Speed Data Transfer and Scalable IP Workflows

The HDC-3500R offers high-speed data transmission with Network Trunk (via LAN port), supporting up to 1 Gbps.

[1] Camera Tracking Data [2] Video Signal [3] System Camera [4] OCCELUS [5] CCU [6] CG Render

IP Remote Production for CCU-less Integration

Adding the optional HDCE-TX50/TX30 IP camera extension adaptor allows the HDC-3500R to output ST 2110 signals without requiring a separate CCU (Camera Control Unit), simplifying connection to IP-based remote production systems and supporting visually lossless JPEG XS capability*.

* Optional software or hardware is required.

Find out more > HDCE-TX50

Find out more > HDCE-TX30

Find out more > Networked Live 

IP remote production workflow showing a camera connected to a broadcast facility through an IP network.
Band performing live on stage.

Simultaneous HDR and SDR Production for Efficient Workflows

The HDC-3500R can capture High Dynamic Range images, and supports Sony’s SR Live workflow for simultaneous HDR/SDR production.

Networked Control and Monitoring for Efficient Workflows

Adding the optional CNA-2 camera control network adaptor enables network-based control and monitoring. This allows efficient centralised management of multiple cameras while simplifying system configuration and streamlining workflows.

Find out more > CNA-2

Sony CNA-2 camera control network adaptor in the foreground with a computer displaying its web-based user interface in the background.
Product Image of HKC-WL50 wireless transmission adaptor

Wireless Transmission for Flexible and Cable-Free Operation

Replacing the side panel with the optional HKC-WL50 wireless transmission adaptor enables wireless 4K signal transmission directly from the camera, reducing cable dependency and enhancing operational mobility in live production environments.

Find out more > HKC-WL50

Improved Operability

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Side view of HDC-3500R, with the viewfinder slide sliding.

Pre-installed VF Slide for Comfortable Operation and Stable Shooting

With the pre-installed viewfinder slide mechanism, camera operators can improve shooting comfort by minimising their body movements during panning.

This feature is especially useful in cramped spaces like tracked dollys, stadium platforms, and scaffolding, where limited mobility can hinder the desired shots. The pre-installed slide mechanism enhances shooting flexibility and usability, with a smoothly-sliding viewfinder that can be moved closer to the axis of tripod rotation to reduce changes in the viewing angle.

Unified Intercom Panel for Intuitive and Reliable Operation

The integrated design of the intercom panel boasts controllable PGM3, TRACKER VR, and earphone MIC across all models, ensuring a consistent layout for customers worldwide. The controllable settings encompass PROD/ENG/OFF, while TRACKER and PGM3 can be easily assigned to different functions.

Rear view of HDC-3500R

Shooting Assist Features for Enhanced Operation and Accuracy

The HDC-3500R integrates Rich Focus Assist, ARIA, RBF, and UMBRA, providing advanced on-screen assist tools for accurate focusing, exposure control, and intuitive operation, enhancing shooting precision and efficiency across diverse production environments. 

Rich Focus Assist

Three focus positions can be assigned to preset buttons, making it quick and easy to select preset focal positions during live shooting.

ARIA (Automatic Restoration of Illumination Attenuation)

Maximum aperture reduction (F-drop) and peripheral light loss are unwanted physical phenomena, especially prominent in long-distance object shooting at telephoto focal lengths. Camera processing automatically compensates for these effects with supported lenses.

RBF (Remote Back Focus)

The back focus of supported lenses can be adjusted remotely from the Sony Master Setup Unit or Remote Control Panel. This ensures precise focus adjustment and shortens preparation time during production.

UMBRA (VF Dynamic Contrast)

For an improved shooting experience, this setting increases the visibility of subjects in low-light areas on the viewfinder (VF). Effective for framing and focusing in dark situations.

 

ARIA: Viewfinder displaying a live music performance.  UMBRA: Viewfinder maintaining scene visibility during a dark stage transition.

Right: Rich Focus Assist / Left: UMBRA

Road to Zero Logo

Environmentally conscious

Sony’s environmental plan “Road to Zero”*1 aims for a zero environmental footprint by 2050. The HDC-3500R is designed with consideration for reducing its environmental impact, including a transition to non-plastic packaging materials*2.

*1 For Sony’s environmental activities, refer to https://www.sony.co.uk/electronics/eco/sustainable-development

*2 Materials used in coatings and adhesives are not included.

Specifications