In this interview at Camerimage 2022, cinematographer James Friend and director Edward Berger discuss their collaboration on Netflix’s acclaimed adaption of All Quiet On The Western Front.
For the night work we had some extremely important scenes where we needed to work at a certain stop and latitude [...] The VENICE, was the perfect tool.James Friend, ASC, BSC
For the night work we had some extremely important scenes where we needed to work at a certain stop and latitude [...] The VENICE, was the perfect tool.
James Friend, ASC, BSC
A showcase of cinematographers who’ve chosen to film with VENICE and VENICE 2.
Stéphanie talks about her latest movie ‘Next Time’ shot on VENICE and the FX3.
John de Borman reflects on a 40-year career in the industry working on films as 'The Full Monty' (1997) and 'Serendipity' (2001).
Vincent talks about 'Martyrs of Striving' - nominated for the Film and Art School Etudes Competition at Camerimage 2022.
Oscar discusses his experience with VENICE shooting 'Young Woman and the Sea' starring Daisy Ridley.
Jamie talks about shooting plates in 8K with VENICE 2 for his upcoming movie 'Strangers'.
Explore unlimited creative possibilities with digital cinematography.
Create virtual sets for filmmaking without limit.
Full-frame digital cinema camera with internal X-OCN recording and choice of 8K and 6K sensors.
Alister Chapman finds 8K workflow is easy with X-OCN.
Exclusive behind-the-scenes interview and footage.